Teens, TV and Tunes: The Manufacturing of American Adolescent Culture

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Wolf incorporates rare archival footage and commentary from Arthur's family, friends, and closest collaborators—including Philip Glass and Allen Ginsberg—to tell this poignant and important story. Wild Combination begins in the bucolic landscape of Oskaloosa, Iowa.

He joined a Buddhist commune in San Francisco, and he met his lifelong mentor and collaborator, Allen Ginsberg. Arthur began working with Philip Glass and other composers in the avant-garde music world, specifically at The Kitchen, where he became musical director in He composed melodic orchestral music and absorbed the vanguard ideas of the new music scene.

Simultaneously Arthur discovered the liberating social and aesthetic possibilities of underground discos. Under the guise of various monikers—Dinosaur L, Loose Joints, Indian Ocean—Arthur produced playful and eccentric disco records that became hits of the pre-Studio 54 era.

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The serialized patterns of minimalist symphonies resonated with the repetitive rhythms in dance music. Likewise, the utopian social settings of the early discos were like the Buddhist commune Arthur had once known. Main article: List of Tiny Toon Adventures episodes. Main article: List of Tiny Toon Adventures video games. The Los Angeles Times. Retrieved 10 May TV Tango. March 27, Entertainment Weekly issue Retrieved 28 May Archived from the original on September 29, Retrieved September 28, Comic Scene Tom Ruegger!

Platypus Comix. Retrieved Chicago Tribune. Retrieved 1 October The Internet Movie Database. Retrieved March 22, The Young Artist Foundation. Archived from the original on Entertainment Weekly. September 28, Retrieved 4 January Animation portal Cartoon portal s portal. Looney Tunes and Merrie Melodies. Animation —present. Brown Arthur Q. Video games. Book Category.


Tiny Toon Adventures. Episodes Characters Film Video games. What's New, Scooby-Doo? ThunderCats ThunderCats Roar.

ISBN 13: 9780786466429

Haunted Holidays Scooby-Doo! Dracula Scooby-Doo! Pirates Ahoy! Music of the Vampire Superman vs. Bizarro League Scooby-Doo! Teen Titans Lego Scooby-Doo! Two-Face Scooby-Doo!

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List of Warner Bros. Feature Animation Warner Bros. Cartoons Warner Bros. Fox Kids. Kids' WB. Duel Monsters — Channel Umptee-3 —98 Generation O! Categories : s American animated television series s American satirical television series American television series debuts American television series endings American animated television programs featuring anthropomorphic characters American children's animated adventure television series American children's animated comedy television series American children's animated fantasy television series Daytime Emmy Award for Outstanding Animated Program winners English-language television programs First-run syndicated television programs in the United States Fox Kids Kids' WB original programs Looney Tunes Looney Tunes television series Self-reflexive television Television series by Amblin Entertainment Television series by Warner Bros.

Animation Television series created by Tom Ruegger Television shows set in Missouri Tiny Toon Adventures Television programs adapted into comics Television programs adapted into video games Animated television series about rabbits and hares. Studios under the auspices of MTV, Cartoon Network, Nickelodeon, Disney, and now even Netflix have offered opportunities to a wide range of voices and styles.

Even the stuff ostensibly meant for children has gotten vastly more refined, moving light years ahead of the cheesy glorified toy commercials and lame slapstick of earlier eras. We are in a moment replete with animated gems—but these are the 30 best of all, the shows that have reached the greatest heights since The Simpsons debuted 30 seasons ago. Our final list includes only shows developed in the English language—partly to keep its size manageable, and partly because Japanese anime is often altered, dumbed-down, or just poorly translated for overseas audiences as are other popular cartoons in other languages.

Beyond that criteria, our final picks run the gamut. Some are joke-heavy; others are operatic, nearly silent odysseys. Their animation styles range from quick-turnaround cutouts to lavish, evocative landscapes. And their protagonists range, too: from adventurous adolescent boys and cynical teenage girls to washed-up fiftysomethings and bored office workers. One of the essential joys of animation is the wide age range it can appeal to, from very young children to geeky adults—and often, the best stuff does both.

Daria not only punched up at vain popular girls and simple-minded jocks, but also found room to sympathize with everyone—even clueless parents—and skewer its own overwhelming whiteness through the lens of overachieving black teens Jodie and Mack. But above all else, Daria put outsiders like Jane Lane and Daria Morgendorffer on the inside long before "nerd" and "geek" became synonymous with mainstream.

The only real knock against it is that in between those flights of fancy, BoJack can be a tremendous bummer—the sort of show where nobody is allowed to be happy for very long. In a good way. Few post- Simpsons animated shows have managed to battering-ram their way into the cultural lexicon as thoroughly or mischievously as South Park.

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Few have enough iconic characters to fill a yearbook Cartman! Hankey the Christmas Poo!

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When I think of bad C. World of Warcraft?

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  • South Park. Even if we were always the butt of every South Park gag, we were also always in on the joke. From the looks of it, the rest of television is still catching up. Austin Collins. Vanity Fair. Sign In. That's All, Folks! The Flintstones may be a cultural touchstone, but it makes for a terrible viewing experience. Vanity Fair That's All, Folks! Doug Millennials know that this is a crucial distinction. Dickens would be proud.